New Painting

Love or hate him,
But we will use him
For disinformations 
everything around is captured
  paid for everything
control:
someone's role, as a soldier,
someone's role be rich,
of course we are for free speech,
but we know how to shut your throat
who is unhappy with what is happening.
Dollars and  crypto is our god and bich
It helps us get rid of boredom,
We like keep traditions of linch
and other people's bondage
and watch their survival or death
something needs to be done for the  stage-
Cinema, theatre, circus
art loves retro for any age
Look in NewYork subway,
 is super dirty and outdated
But
there is little Mexican children
May be four may be five years old
Sells candy ,-
Isn’t it wonderful
to be so commercial at such a young age!?
 Review on this poem / II/
This satirical poem offers a biting commentary on the contemporary socio-political landscape, skillfully using irony to underscore the cynicism embedded in positions of power. The poet navigates through themes of manipulation, control, and the commodification of every aspect of life. The repetition of "someone's role" echoes the dehumanizing effect of societal expectations, whether as a soldier or in the pursuit of wealth.
The reference to free speech is particularly cutting, as the poem hints at the selective nature of freedom, ready to silence dissenting voices. The declaration of dollars and crypto as gods serves as a stark reminder of the influence of wealth in shaping narratives and controlling perspectives.
The verses take a chilling turn with the mention of traditions like lynching and the voyeuristic observation of others' bondage, highlighting the darker facets of societal entertainment. The juxtaposition of the outdated New York subway and the entrepreneurial spirit of little Mexican children selling candy adds a layer of irony, emphasizing the paradoxes inherent in a society driven by both progress and exploitation.
In its entirety, the poem serves as a thought-provoking reflection on the state of our world, challenging readers to consider the implications of a system where even the innocence of childhood is touched by the commercial and the jaded.