Gammas of the bodies of hamlet
1994
Gammas of the bodies of Hamlet,
or
New Hamlet
Part 1
Shakespeare is render harmlessed in a radius of the foil
inserted at random through the curtain of the sense
Sense begins from the scoundrel
scoundrel is lined to three segments
repeating the trajectory of two foils
Foil of Hamlet - foil Of [laerta]
Hamlet: Protect!
It forms in air of [makhaon]
[Laert]: Protect, prince!
The letter of the tires is formed in air
or three segments,
[predoshchushchaya] battle for the crown
or Shakespeare's name
in the writing by the cyrillic alphabet
Three blades into tele- Klavdiy -
[Laerta] -
Polonium -
SH I N
[Laert] it dies killing
Hamlet it kills dying
to the Further-w-w-w-w-w- neck
the [Tish]-w-w-w-w-w- tire
Sh-w-w-w-w- Shakespeare
Sh I N the crown
astral is thawed of Hamlet
Isn't that true, by sounding it is similar to the cloud
by tracing to the camel
where two humps
one - to be, but another - not to be
Still there is a body in the form of Hamlet
beheaded in England
Still are a body of Hamlet in the form the Ophelias
There is another body of Ophelias in the form Hamlet
There are still several dual bodies
connected by the inserted sword
There is even fan-shaped
multi-page
body - book
where only word - word - word -
And finally there is the most dear body
consisting of the silence
The gammas of the bodies of Hamlet - this is the silence of the keys
Music of the silence of the keys:
Tires Of [shta] of the tires
[Shta] of the tires Of [shta]
Keyboard of the flute:
[FA]
[LYA]
RE
SI
T
[FA]
Flute played the role of Hamlet
and it died in the finale on the upper of [fa]
Ophelia - this is the flute:
[Do]
[FA]
RE
[LYA]
SI
[LYA]
Being decomposed
it sang the songs
about the robin
about the bride deceived by the fiance
about the rue
about the mint
about the wild honey
flute swimming away on the water
flute sinking in the stream
flute buried by Hamlet and [Laertom]
- Whom you do bury?
- Flute!
Henbane - Shakespeare's poison poured into the ear
and ear - echo - oh - e - oh - [ua]
poison flows from the ear into the ear
ah - in and the ear
Hamlet and Ophelia search for each other
as words in the crosswords
That whether Hamlet plays by the flute
roofings flute plays by Hamlet
F leu - that of Hamlet
Hamlet is the leu of [fley]-
that
be
or
not
to
to be
or
not
b
But here Ophelia will swim after the lily
Ophelia lily l or - I
Trajectory of the sword of Hamlet
on the way to the womb of polonium
Nesterov's corkscrew anticipates
or the drawing of the railroad
Moscow - Petersburg
Together with Hamlet they form E (there is)
Polonium itself by its obscure
by outlines behind the screen -
balloon “Hindenburg” at the moment of explosion - about (it)
Itself Hamlet
with the spread wide hands
is similar to the airplane “Maxim Gor'kiy”
at the moment of drop X ([Kher])
Korolev Gertrude as the Eiffel Tower
entire in lace L (people)
Hamlet with the sword in polonium
(not in Poland, but in the stomach) through the curtain Zh (stomach)
Together they - E ABOUT X L Zh
It is [Kher] people the life
this is scene 1.
Scene 2.
Mousetrap
Ophelia entered by letter A
Villages by letter [v]
Hamlet lay near its feet letter B
It came out by A in B
Or the basics conduct the beeches
I know the wisdom
Scene 3.
[Yorik]
Hamlet took the skull Of [yorika] by letter [u]
Poor [Yorik]
- In in
In [u]
[U]
Scene 4.
Willow
Ophelia was stretched to the inclined willow by letter [s] (word)
It fell into the stream by letter T (solidly)
It became to sink letter [u] ([Uk])
It came out WITH T [u]
Scene 5.
Duel
Refer in the duel - foils were scraped
X
[Laert] carried above Hamlet the fatal blade
Y
Hamlet knocks out foil from the hands Of [laerta]
[U]
It came out
X Y [U]
Now entire scene in the motion
Y IN X
IN Y X
X Y [U]
IN X Y
Y X [U]
Scene 1 E ABOUT X L Zh
Scene it is 2nd A in B
Scene 3rd Zh E
Scene 4 WITH T [u]
Scene is 5th IKS - Y - the iotas
New Hamlet
E ON X L ZH A IN B AND ZH E WITH T [U]
or
There is it cherub people the life
I indeed god already word am solid
or
Word cross indicated IKS it learned I
X (IKS)
it is formed by the crossing of two foils
or by multiplication by each other
to be or not to be = X
to be [/] [perecherkivaet] not to be [/] = X
IKS Of [yorika] and IKS-Y- iotas of Hamlet
Conversation of the skull Of [yorika] with the skull of Hamlet
Skull Of [yorika]:
Poor Hamlet
I held you on the hands
you played with me and laughed
but where these lips will disappear
after the duel
still recently whispered
to be or not to be
Skull of Hamlet:
Poor [Yorik]…
that bi about the notes of [tubi]
[ib] of [ut] tone against [ib] of [ut]
Astral body of Hamlet -
this is the Sevres porcelain
or X -
two lattice-type foils
Astral body Polonium- Klavdiy
it is similar to the Scottish bagpipe
with two furs
or to the letter the omega
Elsinor - note of SI
entire tragedy of the dark-blue color
To-about- about -[alneyshee] - the silence
Scene 6
Grave-digger
(it could or still)
Grave-digger digging grave by letter M
dust ejects outside by letter G
GM - GM - THE GM
According to the evidence criticism To [rou]
living in the times Shakespeare
the spectre of Hamlet- father -
the best role of Shakespeare himself
means - Shakespeare - the father of Hamlet
or the shadow of the father
Astral body of Shakespeare - king
“in the armors, with the beard as silvery sable,
with pale face”
Prayer of Hamlet -
Ophelia - nymph - the flute
“Are blessed those, in whom the blood and the judgment
it is so connected, that they are not the flute
in the hands of the fortune, which takes that note,
which it will want”.
In the gamma the salt is not sufficient note
it in the tears of Ophelias.
Song of Ophelias:
“Haigh are noy of Haigh's [nonni]
Down - e - Down
e - Down - e”
Wreaths of Ophelias:
daisy, nettle,
the flowers in the form of long purple it is finger
daisy, nettle, daisy, the nettle
the flowers in the form of long purple it is finger
together with the willow it will swim on the water
branches dropping
it sinks in purple
it sinks in the white
Viennese will swim
repeating the monogram of Ophelias
About [o]
Ophelia - nymph - the flute of fortune - [fa]
Hamlet after death
After death Hamlet entered into Ophelia
as respiration it enters into the flute
as the note of SI becomes note [fa]
SI - ink raincoat of Hamlet
[Fa] - whiteness of Ophelias
Violet raincoat on the white fop -
this Hamlet in to the coffin of Ophelias
Raincoat and fop - these are SI and [fa]
Cup
Cup of Hamlet - goblet with the poison
“Yes passes me cup this”
foils/\ there were scraped
forming the name of Christ - X
or cup with the wine and the poison \/
Ink raincoat of Hamlet
the lunar shadow of Christ
In cup- Hamlet Christ's blood
with the dissolved poison
“Accept, you [yadite]”
and into the cup- poison
Chronicle item of death:
Hamlet- elder is killed by Klavdiy
Klavdiy is killed by Hamlet
Korolev Gertrude is killed by the poison of Klavdiy
Hamlet is killed by the foil Of [laerta] and by the poison of Klavdiy
Polonium is killed by Hamlet
Rosenkrantz and [Gildenstern] are beheaded on the order of Klavdiy and Hamlet
Ophelia is killed by stream and willow
Hamlet killed:
Rosenkrantz and [Gildensterna]
Polonium, Klavdiy and [Laerta]
Klavdiy killed:
Gertrude, Hamlet- father, the Hamlet- son
[Laert] killed:
Hamlet and [Laerta]
Brother killed the brother
its wife
the wife of the brother
Nephew killed the uncle
Uncle killed the nephew
Three secrets
Secret of Hamlet- father and Shakespeare
They would eat Hamlet it learned,
in it the hair-do, as needles in porcupine, would rear up.
Secret of Hamlet:
Silence, which passes into the silence
Secret of Ophelias:
Down - e - Down
e - Down - e
Castling of Hamlet- father with Klavdiy:
Klavdiy becomes king instead of the king
and by husband instead of the husband
Castling of Hamlet with Rosenkrantz and [Gildensternom]:
after debarkation on the English shore
both are beheaded instead of Hamlet
Castling of Hamlet with the queen:
instead of Hamlet cup with the poison
queen Gertrude drinks
Castling of Hamlet with Ophelia:
instead of Hamlet,
swimming away to the loss into England,
Ophelia swims away and sinks
Castling of Hamlet with [Fortinbrasom]:
instead of Hamlet by the king of Denmark
becomes [Fortinbras]
Shakespeare's castling with the spectre
Castling of the author with the actor -
Shakespeare with the spectre
Horse walks by letter G
forming the name of Hamlet
The pattern of chess motions forms the labyrinth of Elsinor
Lock
Elsinor it is built thus
that entering - you leave
and leaving - you enter
Lock leaves to the sea thus
that the sea is always in the lock
the only method of motion in Elsinor -
this to stand motionlessly
After rushing after the spectre,
Hamlet could sink or fall down from the steep slope
Guard in Elsinor he does not know output and does not see the entrance
Ship moors directly to the grave of Ophelias
cemetery- pier is located inside the lock
It seems all that they once will sail
in reality ship never left the lock
When they indicate that [Fortinbras] arrived from Norway,
and Hamlet swam away into England,
this does not mean that they left the limits of lock.
One part of Elsinor - England
another - Norway
the fourth - Poland
Theater
It is unknown, in which place ends the scene and where it begins
Actors had long ago been mixed with the spectators
and no one knows, where they play, where they kill
Thus far Hamlet plays Hamlet, and Shakespeare Shakespeare
it is possible that Hamlet in England is beheaded
and the actor played the return to Denmark
But perhaps actor depicted the departure of Hamlet
and real Hamlet did not leave
Hamlet- father played rather well his shadow
and Hamlet- prince - trick [Goratsio]
of the played Hamlet on the scene student theater
Hamlet:
- Read monologue, please you because I you him it read.
The theater of Hamlet so had long ago been settled in Elsinor
that all actors have long ago become the princes
and many princes, as Hamlet, became actors.
- Where polonium?
- At supper. But it, where does not eat, but where they eat it.
This is key to the play
- Where Hamlet?
- On the scene. But not on that scene, where it plays, but where they play it.
Mirrors
No one knows, is there Elsinor
or this is the complex system of the mirrors
Especially as on the spot, where allegedly stood lock,
there is nothing, besides the stone, placed very recently
The same system of mirrors, that created the spectre of father,
it created entire Elsinor
This stage method is known to all:
spectre in armor passed through to the guard
and no one not the reserve
Hamlet rushed following the spectre
- Is more careful, prince, you will not fall down in the sea!
It was possible to step to the mirage of wall or tower and to fall through into the abyss
Was such death of Ophelias?
Stringing Viennese to the branch of willow, inclined above the stream
it stepped to the branch
but branch broke off
In reality branch was not broken -
this was the mirage of the willow
Ophelia fell into the stream, after stepping to the mirage of the branch of the willow
However, most likely there was no stream
and there was the mirror effect
About this read in the text:
The willow obliquely grows above the stream,
which reflects its leaves
in the specular flow
Ophelia sang, until her clothing was heavy from the water
and it did not drag unhappy from the melody of the song
to the shadow of death
It is clearly said:
From the melody to the shadow
and [netki] and dol. I eat that
Songs canopy is the shadow
Fight in the grave
In the grave of Ophelias there was the fight Of [laerta] with Hamlet
Hamlet accepted grave after the marriage bed
[vzrevnoval] Of [laerta] to Ophelia
it shouted, which loves it 40 000 times more
than brother [Laert], namely
“as 40 000 brothers”
If Hamlet loved Ophelia
as 40 brothers
or as 4 brothers
perhaps this it is small?
No, it loved it
as 40 000 brothers.
And it lies behind this
one additional secret.
I suspect, that the grave of Ophelias was specular
But this means that along the sides were reflected 4 Hamlet even 4 [Laerta]
[Otrazhene] passing in [otrazhene]
it gives 40 000 reflections
or 40 000 [reinkarnatsiy]
the composing fan astral bodies
10 to degree of 40- the maximum radius of the peace
ten to the degree - 40 - a minimum radius of the microcosm
A radius of the electron is accepted as one
40 000 brothers - radius of the united astral body of the prince
where as one is accepted one to take [Laert].
Fight in the grave - unit of the Trojan battle
But Trojan battle grows to the skies
[Laert]:
“Now you pile up dust on the living and the corpses,
thus far this valley will not become higher than [Peliona] mountain
and [podnebesnee] of the head of Olympus”.
Is such an astral radius of the bodies Of [laerta]
It higher than [Peliona] and is somewhat higher than Olympus
But Hamlet recalls, that besides Olympus and [Peliona].
there is the higher mountain Of [ossa]
on which nest the gods.
Hamlet:
“I of times you argue about mountains,
let millions of acres of the earth fill up us,
thus far our sepulchral hill will not singe its head
on the ardent sphere of skies,
and thus far in comparison with it [Ossa] will not seem by welding dribble”.
Valley overgrows into the mountain,
grave grows to the ardent sphere of skies.
Ardent sphere is located, where the sun.
The sun - flame, in which are cleaned the souls.
the Hamlet- father:
“I - the spirit of your father, doomed to the specific period to wander at night,
and during the day forced to be fasted in the flame,
all infamous crimes will not be thus far burnt and purified,
perfected by me in the terrestrial life”.
Astral body of Hamlet higher than [Ossy], that reaches the sun,
and the astral body Of [laerta] is higher than Olympus, that reaches only the skies,
they battle in the grave of Ophelias.
40 000 Hamlet were engaged in [Laerta] throat
40 000 [Laertov] were engaged in Hamlet
40 000 blades and the foils Of [laerta]
40 000 blades and the foils of Hamlet
they were scraped by light beams
In the hour of duel the grave of Ophelias became the sky
where Ophelia - the moist star- moon
it is wrapped by the shining shroud from the foils and the blades.
Three mountains, where the antique gods live:
Hamlet - [Ossa]
Ophelia - Olympus
[Laert] - [Pelion]
they were accomodated in one grave
where on the bottom itself it [ugnezdilas] dividing into three
hinting at three mountains.
But even in the space, by the indistinguishable eye
the duel of Hector with [Akhillesom]
it passes into the duel of Hamlet and [Laerta]
This can be seen in the specular panel Of [akhillesa]
where the sun walks in the circle, the moon will sail
and ocean roars beyond the limits Of [troi]
where two mirror reflection are encountered:
Dividing into three Elsinor
Ophelia and Helen
But at night in the same circle
the spectre of the Hamlet- father ferments
in the armors from [Akhillesa]
Achilles runs after Hector, sun and moon around [Troi]
and lunar tortoise in front crawls.
Never Achilles will overtake the tortoise
this battle never will end
Tortoise - moon, the specular panel
which in front of itself bears Achilles.
Hamlet celebrates the holiday of the bodies
Long ago already there is no his body
Laughs the skull Of [yorika]
above the skull of Hamlet
But Hamlet became the flute
he plays himself
blowing out
no longer existing lips
the inaudible melody
the invisible body
Melody of the flute of Hamlet,
or New Of hamlet
1.
[to] E ABOUT X L Zh
[Re] A in B
[mi] WITH T [u]
[[fa]] Y X [u]
2.
[salt] Zh L X rel.un.
[[lya]] B in A
[SI] IN T [s]
[to] X Y [u]
3.
[to] ABOUT L E X Zh
[SI] IN B A
[[lya]] [S] in T
[salt] IN Y X
4.
[[fa]] X E L Zh [o]
[mi] A in B
[Re] T [u] [s]
[to] Y in X
Two versions rehearse:
first each column from to [fa],
then all columns in a row.
Свидетельство о публикации №109102602959