Stanzas to Her Asleep

Peaceful eyen, shut, slumber on her face
Tranquil, cover her with love I will
But still keep in this hammering in chill
For she belongs now to her pleasant thrill
Of slumbering intoxicative reel
While I am just a figure o’er her dreaming

Locks, touching softly cheeks, relax
On sheets of different scents
Which’re cocktails of fatigue, caress and sex
Cherish neck that kiss awaits
Of lascivious and passionate…

Such beauty, open for my sight, my even sigh
Dressed in the blanket of her dimmish silhouette
In twilight of this room, when far I stand
Excite me as I know she’s not pretend…
And I do wait for morn to be the first to meet her with the sun
Knock-knock in window…

Or otherwise my soul is lost in dreams
And body’s decomposed in blood and tears
If found lonesome hollow when off sleeping…


Рецензии
Gourgeous bittersweet. Your songs are more sensible than creatures such groups as HIM etc. Unfortunately, many authors writing English prefer simple textes. P. S. Can I ask the question : Do you write music and words at the same time or not?

Сесиль Монблазе   07.07.2010 10:27     Заявить о нарушении
Merci... however it's hard to make people listen and hear I'm on my way to their trembling cores.
Generally, I write words first. They give me the concept and the further development of the idea. However, exploring musical feelings I improvise sometimes, and the melody is born. Then - the lyrics. Then - again the other way round.
Speaking of simple texts... I realized that the true art is in avoiding overwhelming structures and use of complex words in order to give deep and breathing meaning to the lines not bulky but short, like an epigram.
But alas, many of artists don't comprehend the magic of how can words be weaved and the song's sacrament revealed.

Виллард Корд   07.07.2010 11:52   Заявить о нарушении