Поездки и встречи за этот год 2013 Runtu Iouri

The final performance of the ballet starring / http://stihi.ru/diary/yuri2005/2013-05-10 / Fonteyn and Nureyev was staged at a gala at the London Coliseum in 1977 ...

Margot Fonteyn and Rudolf Nureyev / http://www.stihi.ru/2013/05/10/7221 / 2022

First performing together with the Royal Ballet in Giselle on 21 February 1962, Margot Fonteyn and Rudolf Nureyev would form what has been called the greatest ballet partnership of all time. The partnership would lead to both dancers being noted amongst the most famous ballet dancers of all time and came at the peak of what is now widely regarded as the most successful period in the Royal Ballet's history http://ryuntyu.com/BIBLIOGRAPHY.htm

On 12 March 1963, the couple premiered Sir Frederick Ashton's Marguerite and Armand, the first ballet created for them and one which become their signature piece. Performed to a piece of piano music by Franz Liszt, the ballet starts with Marguerite on her deathbed, and the story is told in flashback until the moment Armand arrives to hold her for the last time before she dies. Ashton had planned the piece specifically for Fonteyn, and it was critically acclaimed as Fonteyn's dramatic peak, with fifty photographers attending the dress rehearsal and twenty-one curtain calls at the premiere performance. The final performance of the ballet starring Fonteyn and Nureyev was staged at a gala at the London Coliseum in 1977 and it was not performed again until 2003. Against the wishes of Frederick Ashton that it not be performed by any other dancers than Fonteyn and Nureyev, it was revived as part of a Royal Ballet triple-bill, starring Nureyev's protegee Sylvie Guillem and the Royal Ballet star Jonathan Cope.

The Fonteyn-Nureyev partnership lasted for many years until Fonteyn's retirement from the Royal Ballet in 1979, aged 60. In 1970 after Frederick Ashton retired as Artistic Director of the Royal Ballet, there were many calls for Nureyev to be announced as his successor. However, Kenneth MacMillan was given the position, and Nureyev left the Royal Ballet as a Principal soon after to be a guest dancer internationally, later becoming Artistic Director of the Paris Opera Ballet in 1983. Fonteyn and Nureyev had a lifelong relationship both on and offstage and were close friends until Fonteyn's death in 1991. Nureyev is quoted as saying of the partnership that they danced with "one body, one soul".

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